Little White Lies No. 106
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// Lead review: Nickel Boys
Sam Bodrojan lauds a harrowing modern masterpiece for its boldness, humanity and formal poetics.
// The Interior Self
Leila Latif discovers how filmmaker RaMell Ross made a Pulitzer Prize- winning novel his own.
// The Invisible Man
Actor Ethan Herisse on the challenges of sculpting a performance and building a character from behind the camera.
// Hard Labour
Leila Latif gets personal with the formidable actor and by-proxy activist, Aunjanue Ellis-Taylor.
// Ways of Seeing
Jourdain Searles discovers how cinematographer Jomo Fray refreshed traditional concepts of the camera eye.
// Sacred Images
Sophie Monks Kaufman writes in praise of cinema that channels human brutality while rejecting its lurid visual nature.
// Community Matters
Rōgan Graham celebrates the world of grassroots advocacy organisations built to promote diversity in cinema.
// I See A Darkness
Cheyenne Bart-Stewart speaks to writer/ director Rungano Nyoni about her new film, On Becoming a Guinea Fowl.
// Magic and Loss: the making of Queer
Hannah Strong chats to Luca Guadagnino, Daniel Craig and Drew Starkey on how they tangled with the cryptic poetry of William Burroughs in this flighty and emotional new screen adaptation.
// Jesse Eisenberg
Darren Richman shares stories of ancestral journeys to Eastern Europe with the writer/director/star of A Real Pain.
// Brady Corbet
Keeping it real to the very last second was the main gambit of co-writer/director of The Brutalist, discovered Hannah Strong.
// Halina Reijn
Rafa Sales Ross discovers that female desire can be both funny and sexy on screen in her conversation with the writer/director of Babygirl.
// Pablo Larraín
The Chilean director lays out his opera credentials to Hannah Strong in this dialogue on his new film Maria, about Maria Callas.
