Little White Lies No. 108
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In the issue…
Artists and Models
Hannah Strong has a long chat with the maestro himself, Wes Anderson.
Rolling With the Punches
An introspective Benicio del Toro on playing an absolute rascal and the troubles of seeing himself on screen.
Sister of Mercy
A deadpan star is born in the form of The Phoenician Scheme star, Mia Threapleton.
Pure Dynamite
Michael Cera x Wes Anderson is a match made in heaven, and the actor himself heartily agrees.
Set It Off
The production design legend, Anna Pinnock, talks building a world fit for Zsa-zsa Korda.
Rotters! Rascals! Rapscallions!
Inspired by Zsa-zsa Korda, 49 rotters plucked from the films of the 1940s.
A Wes Anderson Book Depository
A three-pronged celebration of books – real and fake – in and around the world of Wes Anderson.
An open book displaying text and two images - a sign reading "Biology is not destiny" and silhouettes of protesters holding signs.
In the back section…
Ben Rivers
David Jenkins speaks to Ben Rivers about his return to the Scottish wilderness for his new feature.
Daisy-May Hudson
Katherine McLaughlin talks to the writer/director about the ambiguous and sometimes tragic nature of motherhood that is the subject of her forceful debut.
Athina Rachel Tsangari
The industrious and passionate Greek filmmaker on her subtly apocalyptic new work, Harvest.
In review…
David Cronenberg’s The Shrouds
Beatrice Minger’s E.1027 – Eileen Gray and the House by the Sea
Ben Rivers’s Bogancloch
Mariano Llinás’s The Triptych of Mongongo
Sean Byrne’s Dangerous Animals
John Maclean’s Tornado
Katell Quillévéré’s Along Came Love
Andreas Dresen’s From Hilde, With Love
Daisy-May Hudson’s Lollipop
Hind Meddeb’s Sudan, Remember Us
Amalia Ulman’s Magic Farm
Rúnar Rúnarsson’s When the Light Breaks
Kei Pritsker and Michael T Workman’s The Encampments
James Griffiths’s The Ballad of Wallis Island
Athina Rachel Tsangari’s Harvest
Rebecca Lenkiewicz’s Hot Milk
Aylin Tezel’s Falling Into Place
Matt Turner and David Jenkins review eight exciting Home Ents releases; Marina Ashioti sends a postcard from the IndieLisboa film festival, and for her Sticky Gold Stars column, writes about the digital archiving efforts preserving Palestinian and trans visual culture.
